"Valmont" runs for slightly over 2 hours. The last 15 minutes of the movie is a little dissapointing, though. The ending is rather different from the novel's. Another little complaint of mine is that Colin Firth's Valmont seems less passionate towards Mdm de Tourveil than he should be. Right up to the end of the movie, we don't see him being "tormented by love" at all. He doesn't seem to care much when he realizes that Mdm de Tourveil has left him and returned to her husband.

The ending in "DL" has more "oomph!" actually, although it is very disturbing. But, OVERALL, I find "Valmont" to be the more enjoyable adaptation as it is so... beautiful to watch and has many wonderful moments that will make the viewer laugh and cry.
Quite sad that while "DL" garnered many Oscar nominations, "Valmont" (being released just a year later), didn't do quite as well at the Oscars.

My advice: watch both versions!

Unfairly dumped by Disney in the ensuing years (to the point that this DVD version isn't even released by them), the film is only now being rediscovered by people who love great fantasy, great filmmaking, and who truly love to see OZ on screen.

HIGHLY RECOMMENDED!

Filmed on location in Oregon, the film has a wistful, almost dreamlike quality that successfully reflects the era it depicts, as well as the overall mood of the story, aided in no small part by the atmosphere director Drazan creates. He renders a touching sense of injustice that keeps the viewer acutely aware of the helpless and seemingly inescapable situation in which the girls are forced to remain, and he makes the girls so readily accessible that it is easy to emphasize with them. And it makes you realize that even as big as the world is, everybody lives within their own little part, and it's different for every individual. The world of your next door neighbor may not resemble the world in which you live in any way, shape or form; and because of that, need often goes undetected and want thrives.

As Ray, Harvey Keitel is outstanding, giving a restrained and understated performance that allows you to like him and hate him at the same time. This is a complex character that Keitel develops extremely well, showing you the schemer and the con-man, but also giving you something of an indication of what lies beneath. This is a man capable of disciplined introspection, yet too selfish to do what he must know is the right thing by his family. He's a man who is past believing in himself, but has actually fallen victim to his own con and is unable to let loose of his irresponsible dreams. It's a strong performance, through which he paints the picture of a desperate man, who has no idea of just how desperate he is until it's too late. And the saddest thing about it is the effect it has on Sonya and Greta.

Giving an affecting performance, as well, is the young Fairuza Balk, whose dark beauty and intensity make her perfect for the role of Sonya. She has such expressive eyes that they veritably serve as a window into the soul of her character, which nevertheless seems to emerge from a very private place, and one that gives it definition. Like Keitel, Balk's performance is rather restrained, which gives even more power to her already mesmerizing screen presence. She makes you understand how her circumstances have affected her, which she subtly conveys in the way she relates to those around her, including Greta. There's a sense of the exceptional about Balk, who in an industry filled with young actors seemingly just off the production line, remains unique and has served herself and her career well by exploring some diverse characters in such films as "American History X," "Things To do In Denver When You're Dead," "The Waterboy" and possibly her most definitive role, as that of the young witch in "The Craft." Sonya is one of her more down-to-earth characters, and she delivers her quite well.

The supporting cast includes Vincent D'Onofrio (Mr. Webster), Diane Baker (Abigail Tate), Chris Penn (Jarvis), Amber Benson (Margaret), Annette O'Toole (Ginny) and Seymour Cassel (Eddie). Thought provoking and emotionally involving, "Imaginary Crimes" will take you to a dark place, and it's one that may be all too familiar to some who see this film. This is no happily-ever-after fairy tale, but a very real look at some hard facts about the world in which we live and the people who surround us, and the necessity of reaching out to those who just may be in need.

Anders couldn't have picked a better backdrop for her film. The spartan beauty of the New Mexican desert mirrors the sharp edges and bleak prospects of her characters. Moreover, J. Mascis' (Dinosaur Jr.) soundtrack perfectly underscores the sorrow and loneliness of the film. The songs are great by themselves, but together with the desert sunsets and tumbleweed trailer parks, the end-result is magic.

While not a perfect film, 'Gas Food Lodging' is still a rare treat for those lucky enough to stumble upon it. For those looking for a tightly-acted and moving family drama, 'Gas Food Lodging' won't disappoint!