| Return to Oz Posted: I saw this film at its premiere in Seattle (The Emerald City) in 1985. I had read the Oz books for years (including the then-elusive non-Baum books written after his death) and always loved the mix of danger, whismy, and enchantment in the books.
I grew up (like every other person in America)with memories of the 1939 musical--but even as a kid I hated the fact that the MGM musical messed so much with the dangerous and frightening aspects of Oz, turning everything into a candy-coated Technicolor dream.
Thus, when I finally saw RETURN TO OZ (based on two books, OZMA of OZ and THE LAND of OZ), I realized that the filmmakers had actually sat down and read the books. Gone were the happy go-lucky images of a very safe place (was Judy Garland's Dorothy ever truly in danger?!?) and in its place was a fairyland full of dark dreams, scary villains, and entirely unique characters. And yet, most of America kept asking, "Where's the Munchkins?"
In fact, the film critic for our local paper so trashed the film on its release that I (as a lowly high school sophomore) wrote him a detailed letter explaining what he had missed in the film by spending all his time comparing it to the MGM film. He (like most of America) missed some wonderful moments: Fairuza Balk's film debut as a real, brave, and sometimes scared little girl being called on to save an entire country from extinction, the Oscar-nominated special effects that brought to life characters that had only existed on paper (like Tik-Tok, Jack Pumpkinhead, and the Nomes), and the great performances by British actors Nicol Williamson and Jean March as the villains.
Walter Murch and his team got everything right with this one, even down to character design: look at how closely the Oz chracters (Tik-Tok, the Scarecrow, the Tin Woodsman, etc.) match the way they looked in John R. Neil's illustrations; listen to the amazing score composed by David Shire, full of life, brilliance, and haunting motifs (the opening credit sequence alone gives chills); and the use of Will Vinton's Claymation (of California Raisins fame) to bring the rock-based Nomes to life.
Unfairly dumped by Disney in the ensuing years (to the point that this DVD version isn't even released by them), the film is only now being rediscovered by people who love great fantasy, great filmmaking, and who truly love to see OZ on screen.
HIGHLY RECOMMENDED! |
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